showing relevant, targeted ads on and off our web propertiesĭetailed information can be found on our Privacy Policy page. personalized search, content, and recommendations remembering privacy and security settings remembering account, browser, and regional preferences If you want a reminder, you can watch Waxwork on the Roku Channel, Vudu, or Tubi.The Vinyl Factory Group, trading as: The Vinyl Factory, Vinyl Factory Manufacturing, Phonica Records, FACT Magazine, FACT TV, Spaces Magazine, Vinyl Space, and The Store X, uses cookies and similar technologies to give you a better experience, enabling things like: Either way, the scene is forever burned into my memory, especially that epic line from the Marquis de Sade. Do you think he wrote that scene specifically with her in mind?įoreman and Hickox broke up between Waxwork and its sequel, which explains why Foreman didn’t reprise the role as Sarah in Waxwork II. He was actually in a relationship with Deborah Foreman during the making of the movie, making the out-of-place intimacy of the sexually-charged Marquis de Sade scene even more eyebrow-raising. It was his debut feature film and, as is often the case in Hollywood, he used a bit of nepotism when it came to casting. Waxwork was written and directed by Anthony Hickox. And guess what: It gets even more intimate when you consider what was going on off-screen. We’re getting a glimpse into the mindset of Sarah that is far deeper than the surface-level characters that populate the film. Even watching it years later, the scene still sticks out to me. The intimacy of this line, the intimacy of the whole scene really, is way deeper than anything else that happens in the movie. Oh, don’t be angry just because she had her first orgasm at the end of a whip. When Mark tears her away from him, the Marquis has to get in a final dig: She clings onto the leg of the Marquis de Sade and begs him to keep her. When Mark finally makes his way into the display to save her from the Marquis, he finds that she’s not only enjoying being bound and whipped, but she actively wants to stay. She’s the terrified-yet-willing virgin about to be ravaged by a madman. Rather than struggle against her bonds or yell that this isn’t real, Sarah immediately succumbs to her role in the scene. The men discuss her fate and they decide she needs to be whipped. Instead, we enter a scene where Sarah is carted off to the Marquis as his offering to the prince. There’s no camp to be found, no funny one-liners, no ridiculous practical effects. The tone of the Marquis de Sade scene is a departure from the rest of the film. Before Mark can pull her away, she steps onto the display and enters the kinky world of the depraved Marquis de Sade. Unfortunately Sarah, well-known sweet and innocent virgin that she is, is taken by the Marquis de Sade display. They need to burn down the museum before the last displays can claim victims or it may just mean the end of the world. He enlists the help of remaining teen Sarah, played by Deborah Foreman. Mark, played by Zach Galligan from Gremlins, wants to go back to the waxwork to finally destroy the place for good. ![]() Most of the teens have been turned into wax figures. Either way, if you’ve seen Waxwork, you probably know what scene I’m talking about. ![]() Perhaps it was just a bit too risque for my childhood brain or maybe the raw sexuality of it was out-of-place in an otherwise lighthearted movie. There’s always been one scene that stuck out to me though. Watching Tony yelling at the sky, assuming he’s in a hologram, as he ends up at the claws and gnashing teeth of the Wolf Man is horror comedy gold. It was that right mix of serious scares and brightly colored chuckle-inducing camp that made ’80s horror movies so special. I loved this movie as a kid, along with its 1992 time-hopping sequel. ![]()
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